Tuesday, March 1, 2005

Chateau Ste Michelle & Washington State - Take a Bow!

The Best Chardonnay Values in the Store
You are not going to believe this - I have found not one but two domestic Chardonnays that I love and can afford. Both are stunning, 2001 Chateau Ste Michelle, single-vineyard wines from the Columbia Valley of Washington State. Both are priced at a remarkable $16.99/15.29, but there the similarity ends. To the sense of taste and smell, they are remarkably different. I would be hard-pressed to choose between them - and I did not. I bought both, leaving the choice up to you. Either way you are going to be very happy.
The Cold Creek Vineyard '01 Reserve Chardonnay is a stunning new-world style wine. Barrel fermented in new French oak, followed by malolactic fermentation, and aged on the lees for 11 months. The bouquet is quite sensational, a rich mouthfeel, with lovely restrained fruit, hints of vanilla from the malo fermentation, all framed in stunningly restrained oak. You need only one sip, perhaps only one sniff to understand why I, and many of you, are turned off by so many Chards that are heavy and dominated by harsh, bitter wood flavors. What kind of palate do the people who make these wines have? What in the world are they using? Might it be wood extract?
You can enjoy and savor Cold Creek Chard on its own, but it makes a banquet out of any but the lightest of seafood, any white meat dish, even pasta (but no tomato sauce!).
The Canoe RidgeVineyard '01 Reserve Chardonnay is very different wine - lighter on the palate, less fruity, less oaky and brighter with a more acidic backbone. Distinctly old-world style - food wine. Surprisingly, it too, was barrel fermented in new French oak and aged on the lees for 10 months. How to explain the dramatic difference between these two wines? I do not understand why the oak in this wine is so much more subtle than in the Cold Creek. Soil, exposure, climate and particularly temperature no doubt account for the differences in fruit and acid. The Canoe Ridge Vineyard climate is the cooler of the two, but one might wonder if the winemaker, either deliberately or otherwise, had something to do with the dramatic difference in bouquet, taste and mouthfeel. I e-mailed the winemaker and asked the question. For those of you who are interested, Bob.Bertheau's answers (there are two of them), appear as foot-notes to this column. They make very interesting reading.
Regardless, both are exciting world-class wines - Rick's Picks at a bargain price. At a Saturday tasting they were a huge hit. Surprisingly, the old-world Canoe Ridge, outsold the new-world Cold Creek about 3-to-1, reflecting the fact that, at least at the Madison Wine Shop, oak is out.
I urge you to buy a bottle of each, take them home and have a ball making your own comparison. Above all drink them no colder than 65 degrees, even room temperature. Let me know your reaction.
An Old Washington State Favorite is Back
Almost exactly four years ago I tasted and flipped over Snoqualmie '98 Cabernet Sauvignon. We bought every case we could get and over the next two years it was our best-selling domestic wine. Snoqualmie, like Columbia Crest, is a Chateau Ste Michelle property with its own vineyards, winery and winemaker, Joy Anderson.
When the "chocolate" wine, as many customers still call the '98 Cab, ran out, as all vintages inevitably do, we tried the '99 vintage and passed. So Snoqualmie disappeared from our shelves - until two weeks ago when I tasted the Snoqualmie '01 Rosebud Vineyard Cab. It is lovely and rich right off the cork, but aerate it, and, after a short while, wonderful cocoa/chocolate bouquet and flavor notes begin to evolve. The wine is reminiscent of its '98 predecessor - unique. It stands out from the legions of look-alike Cabs. Complex, balanced, and unfailing in its ability to offer joy from the first drop out of the bottle to the very last drop in the glass. Yours for $17.99/16.79.
The Snoqualmie Rosebud Vineyard is on the northern reaches of the Columbia River, on the Wahkuke Slope, one of the warmest areas in the Columbia Valley. One thinks of Washington State as northern, wet and cool - but the Cascade Mountains intervene, trapping the moisture on the western slope, leaving the eastern slope a desert - hot during the day and cool at night with plenty of sunshine. That is Syrah climate and its coming! Stay tuned.
One last word about these wines - they are the product of a giant corporation, that could be counted as part of what I call the expanding, evil empire, but they are not! The giants in the business are growing fewer and bigger, focused on building "brands", volume, and their bottom line. Passionate wine making is the province of the small winegrower. They are being squeezed by the mass-marketers and their numbers are dwindling. I understand that 90% of all Australian wine, becoming evermore homogenized, is made by four huge conglomerates, with the remaining 10% coming from some 800 or more small producers.
Over the years Chateau Ste-Michelle's pricing has been restrained and their quality overall has been maintained if not improved - of course not every wine in every vintage. Chateau Ste Michelle's '93 Cold Creek Cab Franc was our greatest Washington State hit. When our inventory ran out in 1999 we enquired about a new vintage and were informed that there would be no more straight Cab Franc - it was all being blended. We screamed bloody murder! They heard the screams and found 25 cases of the '93 at the winery, which they sold to us in 2000 for the same price we paid in 1995. We have just 30 bottles remaining, at the original price $27.99/25/19.
While they do have a few entries into the so-called super premium category, Chateau Ste Michelle did not succumb to the madness that has beset so many domestic producers. I get the impression that here is a conglomerate that has given its winemaking arm free reign and a mandate to make quality wine in every price bracket at a fair profit. They always have made a significant effort to educate their distributors and any retailer who wishes to participate. They are building their brands on the basis of quality and value, not hype. I support them.
Rick Lewis
Scroll down to Winemaker Bob Bertheau's Response
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Bob Bertheau, Chateau Ste Michelle's Winemaker, Responds
(Note: Bob did not make the 2001 wines - his first vintage at Chateau Ste Michelle was the 2003 - coming soon)
Hello Rick,
Really glad you enjoyed the Chardonnays, Rick. Your comments are highly regarded and spot on.
The Canoe Ridge (CR) Chard is stylized to be more restrained, elegant and more "seamless" in its expressions (including oak). The Cold Creek (CC) Chard is stylized to be more 'in your face', intense, and powerful. That also follows with the oak expression as well. I hope you see that oak expression is less obvious and better integrated in all the Chards from my initial vintage here at Ste. Michelle.
Three major points about the oak expression in the wines:
1) I have brought the %New oak down from 95%+ where it used to be. The CR Chard is down to about 40% New Oak, while the CC is at about 60%. That is one obvious point while the CR is less obvious.........the %New is lower.
2) Longer drawn out fermentations with different yeasts allow for better integration of the oak components as the yeast stay alive longer with the yeasts that I use. This allows the yeast more live contact time to integrate, or 'fine' out the harsher, more obvious oak tannins.
3) Different coopers all have different sensory impacts on the wines. I choose the spicier, elegant French coopers (Boutes, Remond) for the Canoe Ridge to match the style that the vineyard gives me. I choose more roast/toast, rich style of barrels to match the intense, powerful fruit from Cold Creek (Dargaud et Jaegle, Seguin Moreau).
Hope this explains things for you. Here is a little letter I wrote to our own folks to help them with the style cues, but retailers can certainly use it as well!
Bob Bertheau, Head Winemaker, Chateau Ste. Michelle
-----------------------------------------------------------------------------
To: Sellers, Buyers and Lovers of Chardonnay
From: Bob Bertheau
CBA!
Did you ever hear of the group espousing the sentiment "ABC?" You know……..Anything But Chardonnay……….folks that are tired of the heavy-handed, oak-splintery wines that you never want that second glass of(and sometimes, not even a first).
Well, with the grand launch of the Ste Michelle 2003 Chardonnays, we want to turn this group around, literally and figuratively. ABC…….turns around to CBA………Chardonnay, Back Again!
When I made my winemaking trek to Washington in summer of 2003 to start at the Chateau, I came on board with some ideas about how to change up the chardonnay programs. My ideas were a combination of what I felt the market was now wanting (or not wanting) along with my own personal touch with chardonnay styles and winemaking techniques from 18 years of making them.
Three key elements to be looking for in the 2003 Chardonnays:
Better separation of programs. If we are going to have 5 chardonnays, there needs to be obvious differences and talking points.
Better integrated oak. I have decreased (in some cases dramatically) the % of new oak AND using different yeast and stirring regimes to integrate the oak that is present. Oak is a spice, NOT the main ingredient.
Softer, more complex mouthfeels. In a corollary of the old saying - "It's the mouthfeel, stupid". Different yeasts, fining techniques and blending have all been changed with the common goal of softening up the palate impressions.
I think each wine also enjoys a "Mission Statement." These are key elements and styles that need to be kept in mind at every step of the winemaking process. Here are some mantras for my Chards:
Columbia Valley - "I'll have another glass, please." Soft, approachable and yet still complex for the price point.
Indian Wells - Rich, unctuous and tropical, this wine is from warmer climate Wahluke Slope Chard that gives it underlying texture and richness.
Canoe Ridge - From our windy, climate tempered vineyard overlooking the Columbia River, this wine shows higher tones of citrus and apple with elegance, breed and exceptional refinement.
Cold Creek - Tradition, power and structure are the key words to remember for the age-worthy wines from our oldest vineyard. Big, but not seeming overbearing, that is the challenge with these low yield, concentrated chardonnays.
Ethos - "Old World" complexity and style with our "New World" fruit. Nutty, complex and at the same time amazingly refined in the palate, this is my own personal statement about how world class I feel we can be in Washington with our Chardonnay.
I hope you all can see the direction we are heading with these wines and can become as excited selling them as I am in making them. Taste the wines as you read my emphasizing points. Take these points, ideas and style cues and personalize them to yourself as much as I have here at the Chateau.
Cheers!
Bob
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Wednesday, February 16, 2005

2005 Begins With a Big Italian Bang

Chardonnay lovers - listen up! I have a Chardonnay from, of all places, Piedmont, Italy, and from a producer of Italy’s “Royal Reds” - Barolo and Barbaresco. One would think that a Chardonnay from a Barolo producer would rival any blockbuster fruit-and-oak Californian Chardonnay. In fact, plain “oak-blockbuster” precisely describes the $65 Gaya 1988 Gaia & Rey Piedmontese “cult” Chardonnay, which I ended up pouring down the drain, as undrinkable, in 1993. So having learned the hard way, I approached, with a jaundiced eye, the Barale ‘03 Langhe, Bussia Chardonnay, offered to me by a salesman.

Langhe, is the name given to the hills, around the Piedmontese town of Alba, on which are the vineyards that produce Barolo and Barbaresco. Bussia is the name of one of the most prestigious of those hills. Expecting the worst, I decided not to ask the price until I had tasted. To my surprise and joy, I found lovely, pristine Chardonnay fruit, alive and bright in my mouth, unencumbered with oak and the heavy, “butteriness”, which comes largely from secondary malolactic fermentation. I fell instantly in love with the wine, imagining how beautifully it will go with almost any light food.
So what does it cost? A mere $14.99/13.49! Phenomenal value. Join the gold-rush.
Another white Piedmontese gem - a Gavi, discovered last October and now on our shelves - Cascina degli Ulvi ‘03, $16.99/15.29. Gavi is Italy’s fashionable white wine, and Gavi di Gavi is even more fashionable. Both come from the appellation by that name surrounding the town of Gavi. I have found much of it, both in Italy and here, to be uninspiring - this, the first I have carried in years, is not. It offers an unusual nutty note in the nose and in the palate, and it finishes cleanly and crisply. Great balance. The grape is Cortese, of which we have another non-Gavi example - Bersano ‘02 Piemonte Cortese, $9.99/8.99, with delicate almond flavor, a creamy texture and a crisp finish. Both wines go well with seafood.
More Italy - Corte Marzago ”Le Bugne” ‘01, Veronese IGT, $19.99/17.99. The IGT stands for Indicazione Geografica Tipica or “[Wine] Typical of the Geographic Region”, which in this case is Verona. This wine, made of Cabernet and Corvina grapes, does not meet the requirements for a DOC (“controlled appellation”) wine, hence the IGT designation. Here is a wine with unusual, stunning black fruit, beautifully balanced with tannin and acid and perhaps a smidgin of wood.
An aside - you will be seeing more Italian wines with the IGT designation. The story goes back about twenty-five years when the first so-called “Super Tuscan” wines appeared on the market. Until quite recently, in order to qualify as DOC Chianti, a wine, among other requirements, had to be made of three grape varietals - Sangiovese and Canaiola, both red, and Malvasia, a white. Chianti producers who experimented with all Sangiovese or Sangiovese and Cabernet, could not claim DOC status, so the wines were labeled “Table Wine from Tuscany” or something similar, but the popular nickname became Super Tuscan. Today they would be labeled IGT, but for some, the nickname will no doubt persist.
Since the early eighties the prices of Super Tuscans soared from around twenty dollars to, in many instances, well over a hundred dollars - prices rarely obtained for Chianti. The producers realized that they had shot themselves in their Chianti foot, so to speak. Consequently, a few years ago they changed the rules. Chianti now must be at least 85% Sangiovese but the remaining 15% can be any varietal including Sangiovese.
Malvasia is used widely in Italian white wines, but whatever will happen to poor little Canaiolo?
Until early in December, when I was offered Rignana’03 Rosado, a Tuscana IGT, I had never seen straight Canialo, nor did I know what it tasted like, although I understand that its use in Chianti is to soften the Sangiovese. My first reaction - who needs a Rosè in December? But, happily, I never pass-up an opportunity to taste wine. I found a gem! - pale bronze in color, light zesty fruit that reminds me of persimmon - or is it the tannin that reminds me of persimmon? Never mind. This wine, at room temperature or slightly chilled, will make any meal, winter or summer, memorable. Innovative, inspired wine-making for just $13.99/14.59 - it makes my spirit soar!.
Inspired by the Barale Chardonnay hailed above, I am working my way through sampling Barale reds - first up, the ‘01 Barbaresco. Sitting at my computer as we speak, I am reveling in a just-opened bottle. Unlike so many of its tribe of Piedmontese “royals”, Barolo and Barbaresco, fashioned from Nebbiola, this wine, at the tender age of but three years, is open and irresistible. A rich perfume and earthy bouquet - no wood. The bouquet is echoed in the mouth in perfect balance with the fairly ripe tannins - again I detect little trace of wood in a lovely lingering finish Planning to do more than just sip tomorrow night with a hearty beef stew. Yours for $39.99/35.99.
2000 Vintage Barolo is Hot - or is it Hype?
The Wine Spectator (I think of it as the Wine Speculator) has touted the entire 2000 vintage of Barolo with a score of 100. Ridiculous! But many disciples take that to mean “go out and buy any and every Barolo you can lay your hands on”. Well, watch out! I have tasted a number of 2000 Barolo’s finding many too tannic to evaluate on a quick taste immediately after opening, which is the case at most trade tastings. So I am in the process of buying bottles of selected producers wines and evaluating them over a period of days. I do not need to taste the entire vintage - I need only to find a handful, or even one that rings my bell without breaking the bank.
Stay tuned.
The Madison Wine Shop is Not Moving
Finally, for those of you who have not heard the news - the Madison Wine Shop is staying put. It would have been fun to design and layout a new Madison Wine Shop from scratch, but would it have outweighed the headaches of moving? I am happy we will not know

Rick Lewis
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Wednesday, December 15, 2004

A Wine that Lives up to its Reputation, and a Few that have No Reputation - Not Yet!

The latest issue of the Wine Editorial is in the mail and I realize that it contains not a single reference to Chateauneuf-du-Pape, a wine that has a reputation, a good one, and actually lives up to it most of the time. How it got that reputation, along with Pouilly-Fuisse and Pomard, is a mystery. The mystique, exists even among people who know and care next to nothing about wine. Even among fans of Chateauneuf-du-Pape are those who are unaware of where it comes from, what grapes it is a made of, or even what the name means. But so what - wine should be enjoyed, not admired.

The name, meaning the, “New Home of the Pope” goes back to 1309 when the Gascon Pope, Clement V, set-up house in Avignon. Chateauneuf, as it is frequently referred to, is today one of many Southern Rhone appellations, but it was the prototype of the entire appellation contrôlé system, based on geographic delimitation, with regulations enforced to ensure the quality of all wines bearing the appellation. Geographically, Chateauneuf is confined to a “bump” in the flood plain of the Rhone, some five miles by five miles and perhaps 300 feet high. Although as many as ten varietals are allowed, Grenache predominates, along with Mourevedre and Syrah. The wines are generally robust, rich, full-flavored and spicy. Traditional wine-making ferments the grapes with the stems, giving the wine more tannic structure and complexity, while the modern trend is to de-stem, producing wines that are softer and more accessible. I personally prefer traditional wines but regardless, modern or traditional, they are thoroughly enjoyable and invariably long-lived. I have rarely been disappointed by old Chateauneufs, and even old Cotes-du-Rhone, going back to the ‘60s.
Like so many Chateauneufs and Cotes-du-Rhone, the wines of Domaine Bois du Boursan reflect the passion of the owner wine-growers Jean and Jean-Paul Versino.Boursan. I recently attended a vertical tasting of their wines spanning more than ten vintages. The wines, both young and old, were impressive. We have Domaine Bois du Boursan ‘99, $29.99/26.99 and Domaine Bois du Boursan ‘00 , Cuvee Felix, $79.99/71.99 The ‘99 is lovely - quite approachable now with promise for the future, but good as it is, it pales in comparison to the Cuvee Felix which is deeper and broader with layers of dark fruit and tannin - hard to resist, even now. If push comes to shove, I have a home for all of it.

Over the past 20 years Chateau Beaucastel has become the star of Chateauneuf thanks to terrific wine-making. Unfortunately, with rising reputation comes rising prices. Of the several vintages we have, I would, at this time, recommend the ‘95 Chateau Beaucastel at $69.00/62.10.

More affordable, and in my preferred traditional style, Domaine de Galet, ‘97 “Tradition”, $23.99/21.59, is a terrific value. The word “Galet’ refers to the round pebbles stones which cover much of the Chateauneuf vineyards. These stones, retain the sun’s heat during the day, reflect it back on the vines in the evening and thereby, supposedly, hasten ripening of the grapes.

Beaurenard ‘98, $26.99/24.29 and Cuvee du Vatican ‘01, $28.99/26.09, are a pair of wines that will repay their relatively modest cost with immeasurable pleasure. I have particularly enjoyed the Beaurenard.

All of these wine go well with any substantial food be it pizza or braised veal shanks.

Those of you who frequent the Madison Wine Shop know that my Californian offerings have dwindled over the last ten years - attribute that to soaring prices and sagging quality. Now, thanks to a glut of wine world-wide, Californian prices are coming down, and, no thanks to a weak dollar, imported wines prices are heading up.

The last Chateau Ste Jean wine I bought was the ‘91Cabernet Sauvignon Cinq Cepage - a great wine which we sold for $26.99. The current ‘00 vintage sells for about $80! I have no interest. But the ‘02 Chateau Ste. Jean Cabernet, California Appellation, at $16.99 grabbed my attention. Complex fruit and lovely oak pops up at various places between my lips and the back of my throat, balanced by lovely firm tannins. I like it and so will you.

Another surprise, Beckmen Vineyards ‘01 Estate Cabernet, $24.99/22.49, is from the Santa Ynez Valley near Santa Barabara. Its glorious bouquet literally jumps out of the glass, and it sings a beautiful aria on my palate. It has everything I expect from a California Cab. Great Cab fruit - complex and spicy with ample tannin and just enough oak in a long finish. Excellent value.

The Beckmen brothers, Tom and Steve, bought the Houtz winery (I had never heard of it) in Los Olivos and its Santa Inez Valley vineyard in 1994. In 1996 they purchased land on Purisma Mountain where they are growing Rhone varietals. I have not tasted any of their wines from that vineyard - they are expensive.

I was lured to Podere Poggio Salette ‘00 Il Carbonaione, a Tuscan Sangiovese, by a great write-up from a distributor, prompting me to ignore my cardinal rule - do not buy without tasting. But this is a very limited wine and I was not going to be able to taste without buying a bottle, which I did. Upon opening, I found a dark wine with the lovely bouquet of sweet oak, big, but not overpowering tannins but not much fruit. After some hours it shed some of the oak and some of the tannin, but did not gain any fruit. Perhaps it needs more time I thought. But two days later I concluded that there was no one at home - win some, lose some.

On the other hand, Chateau La Roque ‘01 Pic Saint Loup, $14.99/13.49, an old favorite from Languedoc, is a winner. Mainly, if not entirely, Syrah with an earthy nose and meaty, smoky flavors in the mouth.
Rick Lewis
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Friday, October 15, 2004

A Seminal Spanish Wine and Food Experience


Long-time customers may recall a fabulous Spanish wine tasting dinner, hosted by the Madison Wine Shop some ten years ago at Mason Galicia in Norwalk . That restaurant, now named Meigas, but still the same decor, the same impeccable service and authentic Spanish food, with the same hands-on owner Ignacia Blanco, was recently the venue for the 2004 Annual Wine Dinner sponsored by the Spanish Government to promote Spanish wine and food.- not that Spanish wine needs much promoting at the Madison Wine Shop.
I must admit to some qualms about relating this experience, my concern being that some of you might conclude that since I derive so much pleasure from my passion, I should be happy to give my wine away, if not pay you for patronizing the Madison Wine Shop. With faith in your benevolence, I’ll take that risk.
Meigas, and its sister restaurant Ibiza, in New Haven , with Juan Carlos Gonzales in charge, share the same Executive Chef, Luis Bollo. Both are considered to be among the best, if not the best, Spanish restaurants in the country.
Spanish cuisine, with its emphasis on tapas and multiple courses of small portions, is the ideal vehicle for sampling a variety of wines, and wine and food pairings. I feel that all to often too much emphasis is placed on selecting the right wine for any particular dish or sometimes even on a specific recipe for the dish, as though some authority can determine, or has determined the ideal wine for every dish. In truth, I simply try to avoid choosing the wrong wine, and that means that the wine should not obliterate the taste of the food, nor should the food overwhelm the wine. Self-education by trial and error is the best teacher. For my part, I am not looking for a long term relationship - but a one-night stand, with the possibility that I might find a food and wine combination that moves me as no other has, will suffice. I rarely imbibe wine without food.
The six-course dinner was preceded by an aperitif featuring 1+1=3, 2001 Cava from Penedes, one of the richest Cavas I have tasted., and four scrumptious tapas offerings, of which my favorites were marinated fresh anchovies on grilled melon with salmon roe and black olive tapenade, and an “other world” crispy ravioli of duck confit. I know you are curious about that 1+1=3 winery name - I am told that it is a Catalan idiom, one interpretation of which has a sexual connotation.
The dinner itself, went from one devine morsel to another starting with barely cooked sea-scallop in bed of potato foam, followed by salt baked stripped sea bass from Spain, with root vegetables, tomato, pinenuts, and smoked pimento. The latter was my dish of the evening. The 1+1=3 Xarello, served with the sea bass was, in my opinion, no match for the first wine, Jose Pariente 2002 Verdejo from Rueda, so I continued drinking it with the sea bass. This Verdejo has a glorious bouquet with just hint of Sauvignon Blanc, but in the mouth it offers stunning, subtle but distinct Verdejo fruit, bracing acidity and a finish which strikes a sublime parting note. We sell it for $17.99.
Roasted rabbit loin wrapped in bacon with grilled shrimps led off the three meat dishes. Next, was bomba rice, braised oxtail, porcini mushrooms and chick peas, in what I would have described as a fricassee; and the last was braised short ribs, cabbage stuffed with potatoes and Serrano ham with a sauce of red wine ginger and garlic confit. As a fan of oxtail, it was a foregone conclusion that that dish would be my favorite - the texture of al dente rice and peas coupled with the heavenly flavors of oxtail and mushrooms was sensational.
All three red wines, served with the meat dishes, were what we have come to expect from Spanish wines - accessiblity; balanced fruit, tannin and acidity; complexity and affordablility. I found them flawless, and of such quality that I would have happily enjoyed any of the wines with any of the three dishes.
Luna Beberide, a Cabernet, ? Mencia blend from Biezo, was, appropriately, the lighter of the three; Astrales, Tempranillo from Ribera del Duero and Barbara Fores from Terra Alta . The Barbara Fores, a notch above the others, and, in my opinion, a match for almost any wine from anywhere is available at the Madiosn Wine Shop for only?????.
I usually shun dessert, but not this time! An other-worldly concoction of something called Nevot cream cheese, sorbet, and a pastry akin to baba-au-rum, sitting between them, was irresistible. However, the two dessert wines served with dessert were the crowning finale. A Monastrell (aka Mouvredre), by Sivano Garcia from Jumilla and, hear this, a Moscatel de Turis from Valencia, in an art decco style 750 ml screw-cap bottle, that sits on our shelf with an $8.99 price tag. The Moscatel is remarkable, all the more so because of its price, but the Monastrell was indescribably delicious - I sipped it to the very last drop. Rich, almost impenetrable black fruit, balanced by a huge tannic back-bone and sharp acidity - a mere $24.99 for a 500ml bottle. My belief that dessert wines are dessert and rarely need anything more than cheese or fruit, was, to say the least, slightly shaken
Look for more about Spanish wines next time.
Rick Lewis
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